Ann Petry's short fiction : critical essays /

Bibliographic Details
Other Authors: Ervin, Hazel Arnett, Holladay, Hilary
Format: Book
Language:English
Published: Westport, Conn. : Praeger Publishers, 2004.
Series:Contributions in Afro-American and African studies. no. 209.
Subjects:
Online Access:Table of contents
Table of Contents:
  • Introduction / Hazel Arnett Ervin and Hilary Holladay
  • Chronology
  • A World Made Cunningly: A Closer Look at Ann Petry's Short Fiction / Gladys J. Washington
  • Ann Petry and African Poetics: A Review of "Solo on the Drums" / Sheikh Umar Kamarah
  • Folk Traditions in the Short Fiction of Ann Petry / Gladys J. Washington
  • Artistic Discourse in Three Short Stories by Ann Petry / Nora Ruth Roberts
  • Jazz/Blues Structure in Ann Petry's "Solo on the Drums" / Gayl Jones
  • "Miss Muriel": Rewriting Innocence into Experience / Paul Wiebe
  • "From a Thousand Different Points of View": The Multiple Masculinities of Ann Petry's "Miss Muriel" / Keith Clark
  • Riot as Ritual: Ann Petry's "In Darkness and Confusion" / George R. Adams
  • "Ain't No Room for Us Anywhere": Reading Ann Petry's "In Darkness and Confusion" as a Migration Narrative / Deirdre Raynor
  • Apartheid Among the Dead; Or, On Christian Laughter in Ann Petry's "The Bones of Louella Brown" / Gene Fendt
  • The Narrator as Feminist Ally in Ann Petry's "The Bones of Louella Brown" / Amy Lee
  • Taking the Cake: Ann Petry's "Has Anybody Seen Miss Dora Dean?" / Barbara Lewis
  • "The Man Who Cried I am": Reading Race, Class and Gender in Ann Petry's "The Witness" / Carol E. Henderson
  • Traumatic Reenactment and the Impossibility of African American Testimony in Ann Petry's "Like a Winding Sheet" and "The Witness" / Eve Tettenborn.