Ann Petry's short fiction : critical essays /
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Westport, Conn. :
Praeger Publishers,
2004.
|
| Series: | Contributions in Afro-American and African studies.
no. 209. |
| Subjects: | |
| Online Access: | Table of contents |
Table of Contents:
- Introduction / Hazel Arnett Ervin and Hilary Holladay
- Chronology
- A World Made Cunningly: A Closer Look at Ann Petry's Short Fiction / Gladys J. Washington
- Ann Petry and African Poetics: A Review of "Solo on the Drums" / Sheikh Umar Kamarah
- Folk Traditions in the Short Fiction of Ann Petry / Gladys J. Washington
- Artistic Discourse in Three Short Stories by Ann Petry / Nora Ruth Roberts
- Jazz/Blues Structure in Ann Petry's "Solo on the Drums" / Gayl Jones
- "Miss Muriel": Rewriting Innocence into Experience / Paul Wiebe
- "From a Thousand Different Points of View": The Multiple Masculinities of Ann Petry's "Miss Muriel" / Keith Clark
- Riot as Ritual: Ann Petry's "In Darkness and Confusion" / George R. Adams
- "Ain't No Room for Us Anywhere": Reading Ann Petry's "In Darkness and Confusion" as a Migration Narrative / Deirdre Raynor
- Apartheid Among the Dead; Or, On Christian Laughter in Ann Petry's "The Bones of Louella Brown" / Gene Fendt
- The Narrator as Feminist Ally in Ann Petry's "The Bones of Louella Brown" / Amy Lee
- Taking the Cake: Ann Petry's "Has Anybody Seen Miss Dora Dean?" / Barbara Lewis
- "The Man Who Cried I am": Reading Race, Class and Gender in Ann Petry's "The Witness" / Carol E. Henderson
- Traumatic Reenactment and the Impossibility of African American Testimony in Ann Petry's "Like a Winding Sheet" and "The Witness" / Eve Tettenborn.