Cultural history through a National Socialist lens : essays on the cinema of the Third Reich /
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| Format: | Book |
| Language: | English |
| Published: |
Rochester, N.Y. :
Camden House,
2000.
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| Series: | Studies in German literature, linguistics, and culture (Unnumbered)
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| Subjects: |
Table of Contents:
- Introduction: Modernity writ German: state of the art as art of the Nazi state / David Bathrick
- Reflections of Weimar cinema in the Nazi propaganda films SA-Mann Brand, Hitlerjunge Quex, and Hans Westmar / Heidi Faletti
- Luis Trenker: a rebel in the Third Reich? Der Rebell, Der verlorene Sohn, and Der Kaiser von Kalifornien, Condottieri, and Der Feuerteufel / Franz A. Birgel
- The director and the diva: the film musicals of Detlef Sierck and Zarah Leander: Zu neuen Ufern and La Habanera / Thomas R. Nadar
- Fear of flying: education to manhood in Nazi film comedies: Glückskinder and Quax, der Bruchpilot / Cary Nathenson
- Far away, so close: Carl Froelich's Heimat / Florentine Strzelczyk
- A cinematic construction of Nazi anti-semitism: the documentary Der ewige Jude / Joan Clinefelter
- Escaping home: Leni Riefenstahl's visual poetry in Tiefland / Roger Russi
- Literary Nazis? Adapting nineteenth-century German novellas for the screen: Der Schimmelreiter, Kleider machen Leute, and Immensee / Richard J. Rundell
- The spectacle of war in Die groβe Liebe / Mary-Elizabeth O'Brien
- Turning inward: an analysis of Helmut Käutner's Auf Wiedersehen, Franziska; Romanze in Moll; Unter den Brücken / Robert C. Reimer
- Working for the man, whoever that may be: the vocation of Wolfgang Liebeneiner / John E. Davidson.