Dancing revelations : Alvin Ailey's embodiment of African American culture /
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Oxford University Press,
2004.
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| Subjects: |
Table of Contents:
- 1: Revelations 1962
- Why revelations worked
- BREAK Black modernism
- Situating revelations in African American cultural life
- 2: Early dances
- Ailey's childhood: race matters
- BREAK Unquenchable racial desire
- Blues suite
- Ailey's early dances
- Hermit songs
- 3: Early company
- Early years in New York
- Early residencies
- Southeast Asia tour
- BREAK "Official" African American culture
- Riedaiglia
- 4: Revelations II: 1969
- BREAK Versioning
- Multiracial concert dance
- Revelations 1975
- 5: Touring, touring, touring
- Quintet
- Swelling popularity
- BREAK Jazz dance
- Flowers
- The popular audience
- BREAK No exit from racism
- 6: Reflecting a spectrum of experience
- Masekela language
- The lark ascending
- Hidden rites
- 7: Other dances
- Feast of ashes
- BREAK Black dancer, white dance
- The river
- 8: Ailey celebrates Ellington
- The Ellington connection
- BREAK Heroes
- Ailey celebrates Ellington
- Pas de "Duke"
- Ellingtonia
- 9: Gender and spectatorship
- Cry
- Love songs
- Masked spectatorship: Ailey's representation of sexuality
- BREAK Sex
- Streams
- BREAK Black Atlantic dance
- 10: Later dances
- Memoria
- Au Bord du Precipice
- Survivors
- BREAK Alvin Ailey, public and private
- 11: Concluding moves
- The Ailey after Ailey
- Revelations 2003.