| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000pam a22000004a 4500 |
| 001 |
in00001795821 |
| 005 |
20151025132738.0 |
| 008 |
030513s2003 nyua b 001 0 eng |
| 010 |
|
|
|a 2003011160
|
| 020 |
|
|
|a 0820456926 (hardcover : alk. paper)
|
| 035 |
|
|
|a (OCoLC)ocm52269939
|
| 040 |
|
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|a DLC
|c DLC
|d YDX
|d UtOrBLW
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|a N6853.P5
|b M337 2003
|
| 082 |
0 |
0 |
|a 709/.2
|2 21
|
| 100 |
1 |
|
|a Mallén, Enrique.
|
| 245 |
1 |
4 |
|a The visual grammar of Pablo Picasso /
|c Enrique Mallen.
|
| 264 |
|
1 |
|a New York :
|b Peter Lang,
|c [2003]
|
| 264 |
|
4 |
|c ©2003
|
| 300 |
|
|
|a xvi, 344 pages :
|b illustrations ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Berkeley insights in linguistics and semiotics,
|v v. 54
|
| 504 |
|
|
|a Includes bibliographical references (pages [323]-334) and index.
|
| 600 |
1 |
0 |
|a Picasso, Pablo,
|d 1881-1973
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a Semiotics and art
|z France.
|
| 650 |
|
0 |
|a Cubism
|z France.
|
| 650 |
|
0 |
|a Visual perception.
|
| 830 |
|
0 |
|a Berkeley insights in linguistics and semiotics ;
|v v. 54.
|
| 945 |
|
|
|i PromptCat
|
| 948 |
|
|
|a cataloged
|b cmulkey
|c 2003/12/10
|d 10:02:38 am
|
| 994 |
|
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|a 92
|b TXA
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|a MARS
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|i d65b892e-3e72-342b-b333-fa8bc4ee675f
|t 0
|
| 952 |
f |
f |
|p normal
|a Texas A&M University
|b College Station
|c Sterling C. Evans Library
|d Evans: Library Stacks
|t 0
|e N6853.P5 M337 2003
|h Library of Congress classification
|i unmediated -- volume
|m A14830778436
|
| 998 |
f |
f |
|a N6853.P5 M337 2003
|t 0
|l Evans: Library Stacks
|