Transnational Chinese cinemas : identity, nationhood, gender /
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| Format: | eBook |
| Language: | English |
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Honolulu, HI :
University of Hawaii Press,
1997.
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| Online Access: | Connect to the full text of this electronic book |
Table of Contents:
- Pt. I. Nation-Building, National Cinema, Transnational Cinema. Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927-1937 / Zhiwei Xiao
- Two Stage Sisters : the Blossoming of a Revolutionary Aesthetic / Gina Marchetti
- From "Minority Film" to "Minority Discourse" : Questions of Nationhood and Ethnicity in Chinese Cinema / Yingjin Zhang
- National Cinema, Cultural Critique, Transnational Capital : The Films of Zhang Yimou / Sheldon Hsiao-peng Lu
- Pt. II. The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong. Constructing a Nation : Taiwanese History and the Films of Hou Hsiao-hsien / June Yip
- The Diaspora in Postmodern Taiwan and Hong Kong Film : Framing Stan Lai's The Peach Blossom Land with Allen Fong's Ah Ying / Jon Kowallis
- Breaking the Soy Sauce Jar : Diaspora and Displacement in the Films of Ang Lee / Wei Ming Darious, Eileen Fung
- Transnational Action : John Woo, Hong Kong, Hollywood / Anne T. Ciecko
- Jackie Chan and the Cultural Dynamics of Global Entertainment / Steve Fore
- Pt. III. Engendering History and Nationhood : Cross-Cultural and Gendered Perspectives. Reading Formations and Chen Kaige's Farewell My Concubine / E. Ann Kaplan
- The New Woman Incident : Cinema, Scandal, and Spectacle in 1935 Shanghai / Kristine Harris
- Gendered Perspective : The Construction and Representation of Subjectivity and Sexuality in Ju Dou / Shuqin Cui
- The Concubine and the Figure of History : Chen Kaige's Farewell My Concubine / Wendy Larson
- Narrative Images of the Historical Passion : Those Other Women On the Alterity in the New Wave of Chinese Cinema / Yi Zheng.