Hedwig and the Angry Inch /

On Valentine's day, 1998, Hedwig and the Angry Inch opened to rave reviews and the phenomenon that is Hedwig was born. This long-running off-Broadway smash, with its central metaphor inspired by Plato's Symposium, tells the story of "internationally ignored song stylist" Hedwig S...

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Bibliographic Details
Other Authors: Trask, Stephen (Lyricist), Mitchell, John Cameron
Format: Book
Language:English
Published: Woodstock, N.Y. : Overlook Press, 2000.
Edition:First edition.
Subjects:
Online Access:Contributor biographical information
Publisher description

MARC

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240 1 0 |a Hedwig and the Angry Inch.  |s Libretto 
245 1 0 |a Hedwig and the Angry Inch /  |c text, John Cameron Mitchell ; music & lyrics, Stephen Trask ; photographs, Rivka Katvan, Carol Rosegg. 
250 |a First edition. 
264 1 |a Woodstock, N.Y. :  |b Overlook Press,  |c 2000. 
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520 |a On Valentine's day, 1998, Hedwig and the Angry Inch opened to rave reviews and the phenomenon that is Hedwig was born. This long-running off-Broadway smash, with its central metaphor inspired by Plato's Symposium, tells the story of "internationally ignored song stylist" Hedwig Schmidt, a "fourth wall-smashing, German rock & roll goddess who also happens to be the victim of a gruesomely botched sex-change operation" (Time Out). This story, performed by Hedwig (ne Hansel) in the form of a rock gig, and backed by the hard-rocking band, "The Angry Inch," begins in the former East Berlin when Hansel meets Luther, an American GI who promises to take the young man back to the States on the condition that he change his sex and become Hedwig. 
586 |a Lambda Literary Award, 2000 
500 |a The Cushing Library/Women & Gender Studies copy was acquired as part of The Don Kelly Research Collection of Gay Literature and Culture.  |5 TXA 
500 |a The Cushing Library/Women & Gender Studies copy is signed by John Cameron Mitchell.  |5 TXA 
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