| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cgm a2200000 a 4500 |
| 001 |
in00001403301 |
| 005 |
20151020055447.0 |
| 007 |
vf cbahou |
| 008 |
970718s1997 gw 028 g vleng d |
| 028 |
4 |
3 |
|a FFH 6682
|b Films for the Humanities
|
| 035 |
|
|
|a (OCoLC)37315669
|
| 035 |
|
|
|9 AHN4528AM
|
| 040 |
|
|
|a NDD
|c NDD
|d TXA
|d UtOrBLW
|
| 049 |
|
|
|a TXAM
|
| 090 |
|
|
|a ML460
|b .H57 1997 7
|
| 245 |
0 |
4 |
|a The piano /
|c TransTel.
|
| 264 |
|
1 |
|a Princeton, N.J. :
|b Films for the Humanities & Sciences,
|c [1997]
|
| 264 |
|
4 |
|c ©1997
|
| 300 |
|
|
|a 1 videocassette (28 min.) :
|b sound, color ;
|c 1/2 in.
|
| 336 |
|
|
|a two-dimensional moving image
|b tdi
|2 rdacontent
|
| 337 |
|
|
|a video
|b v
|2 rdamedia
|
| 338 |
|
|
|a videocassette
|b vf
|2 rdacarrier
|
| 490 |
1 |
|
|a History of musical instruments ;
|v 7
|
| 538 |
|
|
|a VHS.
|
| 520 |
|
|
|a The piano, its history and development, is discussed, from its invention through the present day, and how its flexibility and expressiveness have inspired composers such as Beethoven, Schumann, Liszt and Bartok.
|
| 500 |
|
|
|a Videorecording.
|
| 650 |
|
0 |
|a Piano.
|
| 650 |
|
0 |
|a Piano
|x History.
|
| 650 |
|
0 |
|a Piano music.
|
| 650 |
|
0 |
|a Musical instruments
|x History.
|
| 655 |
|
7 |
|a Documentary films.
|2 lcgft
|
| 710 |
2 |
|
|a TransTel (Firm)
|
| 710 |
2 |
|
|a Films for the Humanities (Firm)
|
| 830 |
|
0 |
|a History of musical instruments ;
|v 7.
|
| 948 |
|
|
|a c:dm
|
| 999 |
|
|
|a MARS
|
| 999 |
f |
f |
|s 57f304ea-ca80-38e0-9ce9-7836e900f432
|i b178b687-456f-3a4c-8036-4e6a559f8820
|t 0
|
| 952 |
f |
f |
|p ric
|a Texas A&M University
|b Rellis Campus
|c Joint Library Facility
|d Remote Storage
|t 0
|e ML460 .H57 1997 7
|h Library of Congress classification
|i video -- videocassette
|m A14826194620
|
| 998 |
f |
f |
|a ML460 .H57 1997 7
|t 0
|l Remote Storage
|