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Hard times and the noble savage: J. P. Donleavy's A singular man, by J. R. Moore.--John Cheever and the charms of innocence: The craft of The Wapshot scandal, by G. Garrett.--The long chronicle of guilt: William Golding's The spire, by W. Sullivan.--Hunting a master image: the poetry of Richard Eberhart, by D. Hoffman.--That old triangle: a memory of Brendan Behan, by B. Kiely.--Flannery O'Connor, sin, and grace: Everything that rises must converge, by W. Sullivan.--An embarrassment of riches: Baldwin's Going to meet the man, by J. R. Moore.--Not text, but texture: the novels of Vladimir Nabokov, by R. H. W. Dillard.--Mithridates, he died old: black humor and Kurt Vonnegut, Jr., by R. Scholes.--Ripeness was not all: John Barth's Giles goat-boy, by B. Kiely.
Edited by R. H. W. Dillard, George Garrett, and John Rees Moore.
--The greatness and horror of empire: Robert Lowell's Near the ocean, by D. Hoffman.--The black clock: the poetic achievement of Louis MacNeice, by W. J. Smith.--Morris the magician: a look at In orbit, by G. Garrett.--Toward an existential realism: the novels of Colin Wilson, by R. H. W. Dillard.--William Styron and human bondage: The confessions of Nat Turner, by L. D. Rubin, Jr.--My silk purse and yours; Making it, starring Norman Podhoretz, by G. Garrett.--Genius of the shore: the poetry of Howard Nemerov, by J. Randall.--Index to the Hollins critic.--The Hollins critic poets.--Subject index to the Hollins critic.--Bibliography (pages 365-380).