| Tag |
First Indicator |
Second Indicator |
Subfields |
| LEADER |
00000cam a2200000 4500 |
| 001 |
in00000730413 |
| 005 |
20151016074114.0 |
| 008 |
730412s1959 enkcgh 00000 eng u |
| 010 |
|
|
|a 59016235
|
| 035 |
|
|
|a (OCoLC)00602569
|
| 035 |
|
|
|9 ADE9801AM
|
| 040 |
|
|
|c WSU
|d TXA
|d UtOrBLW
|
| 049 |
|
|
|a TXAM
|c [308451]
|
| 050 |
|
0 |
|a ML410.P93
|b H65
|
| 092 |
|
|
|a 780.92
|b P985h
|
| 100 |
1 |
|
|a Holst, Imogen,
|d 1907-1984.
|
| 245 |
1 |
0 |
|a Henry Purcell, 1659-1695 ;
|b essays on his music.
|
| 264 |
|
1 |
|a London,
|a New York :
|b Oxford University Press,
|c [1959]
|
| 300 |
|
|
|a 136 pages :
|b portrait, facsimiles, music. ;
|c 21 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 505 |
0 |
|
|a Homage to the British Orpheus, by P. Pears.--On realizing the continuo in Purcell's songs by B. Britten.--New light on Dido and Aeneas, by E. W. White.--Purcell's librettist, Nahum Tate, by I. Holst.--0ur sense of continuity in English drama and music, by M. Tippett.--Purcell and the Chapel Royal, by J. Nobel.--An organist's view of the organ works, by R. Downes.--Performing Purcell's music today, by R. Donington.--Purcell's handwriting, by F. B. Zimmerman.--Purcell's autographs, by N. Fortune and F. B. Zimmerman.--Further seventeenth- and eighteenth-century evidence bearing on the performance of Purcell's works, by R. Donington.--A note on the Nanki collection of Purcell's works, by I. Holst.
|
| 600 |
1 |
0 |
|a Purcell, Henry,
|d 1659-1695.
|
| 999 |
|
|
|a MARS
|
| 999 |
f |
f |
|s 3f4b6f13-bbeb-33da-a30c-445e5e3f4a08
|i 4bc97acc-3f13-369c-905a-84807c14dd8c
|t 0
|
| 952 |
f |
f |
|p ric
|a Texas A&M University
|b Rellis Campus
|c Joint Library Facility
|s JLF
|d Remote Storage
|t 0
|e ML410.P93 H65
|h Library of Congress classification
|i unmediated -- volume
|m A14801167640
|
| 998 |
f |
f |
|a ML410.P93 H65
|t 0
|l Remote Storage
|