http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
function of myth in Sean O'Casey's Within the gates, the bishop's bonfire, and the drums of Father Ned
Although critical analyses of O'Casey's later plays include references to myth, the references are in general rather than specific terms. For the first time, three representative plays by O'Casey, of three different genres, are analyzed through a study of the specific and general functions of myth within each play. Mythic patterns, symbols, rituals, images, allusions, and associations in a play are identified; parallel or similar prototypes for each mythic element are identified in the appropriate mythology; and the implications associated with the latter are then considered in relation to the former. The focus of emphasis is upon myth, but the final determination of the function of myth in a given play is depended upon consideration of the play as a whole. A major contribution of the study is the discovery of O'Casey's use of integrated patterns and mythic elements from early fertility cults in the development of the Expressionistic Within the Gates. The study of the specific function of individual elements of myth contributes to a clarification of O'Casey's vision of the world as it is today, in contrast to what it should be. The study of myth contributes to an understanding of Expressionistic symbolism within the play. It contributes to an understanding of thematic statements; and it clarifies the dramatic vision that emerges from this controversial play.
Includes bibliographical references (leaves 276-281).