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|a DLC
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|
| 050 |
0 |
0 |
|a ML3853
|b .C7 1952
|
| 082 |
0 |
0 |
|a 780.1
|2 23
|
| 084 |
|
|
|a 780.904
|2 ddc
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| 100 |
1 |
|
|a Copland, Aaron,
|d 1900-1990,
|e author.
|
| 245 |
1 |
0 |
|a Music and imagination /
|c by Aaron Copland.
|
| 264 |
|
1 |
|a Cambridge :
|b Harvard University Press,
|c 1952.
|
| 300 |
|
|
|a ix, 116 pages ;
|c 22 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
|
|a The Charles Elliot Norton lectures, 1951-52
|
| 504 |
|
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|a "Sources": pages 124-127.
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| 505 |
0 |
|
|a Introduction -- Part one : Music and the imaginative mind. The gifted listener -- The sonorous image -- The creative mind and the interpretative mind -- Part two : Musical imagination and the contemporary scene. Tradition and innovation in recent European music -- Musical imagination in the Americas -- The composer in industrial America -- Postscript : Programs presented November 1951 and March 1952.
|
| 520 |
|
|
|a The six talks were intended as a free improvisation on the general theme of the role imagination plays in the art of music. The first half of the book treats of the musical mind at work in its different capacities as listener, interpreter, or creator. The second half discusses more specifically recent manifestations of the imaginative mind in the music of Europe and the Americas. The lectures were followed in each instance by short concerts.--Preface.
|
| 500 |
|
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|a The Cushing Library/Women & Gender Studies copy was acquired as part of The Don Kelly Research Collection of Gay Literature and Culture.
|5 TXA
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| 650 |
|
0 |
|a Creation (Literary, artistic, etc.)
|
| 650 |
|
0 |
|a Music
|y 20th century
|x History and criticism.
|
| 650 |
|
0 |
|a Imagination.
|
| 650 |
1 |
2 |
|a Music
|
| 650 |
2 |
2 |
|a Creativity
|
| 650 |
2 |
2 |
|a Imagination
|
| 650 |
|
6 |
|a Création (Arts)
|
| 650 |
|
6 |
|a Musique
|y 20e siècle
|x Histoire et critique.
|
| 650 |
|
6 |
|a Imagination.
|
| 650 |
|
7 |
|a Creation (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00882393
|
| 650 |
|
7 |
|a Imagination.
|2 fast
|0 (OCoLC)fst00967585
|
| 650 |
|
7 |
|a Music
|2 fast
|0 (OCoLC)fst01030269
|
| 650 |
|
7 |
|a Création (esthétique)
|2 ram
|
| 650 |
|
7 |
|a Musique
|x Histoire et critique.
|2 ram
|
| 648 |
|
7 |
|a 1900-1999
|2 fast
|
| 655 |
|
7 |
|a Lectures.
|2 fast
|0 (OCoLC)fst01919935
|
| 655 |
|
2 |
|a Lecture
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 655 |
|
7 |
|a Lectures.
|2 lcgft
|
| 776 |
0 |
8 |
|i Online version:
|a Copland, Aaron, 1900-1990.
|t Music and imagination.
|d Cambridge, Harvard University Press, 1952
|w (OCoLC)610221151
|
| 830 |
|
0 |
|a Charles Eliot Norton lectures ;
|v 1951-1952.
|
| 948 |
|
|
|h HELD BY TXA - 1388 OTHER HOLDINGS
|
| 994 |
|
|
|a Z0
|b TXA
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| 999 |
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|s 62dc2d95-9e5c-3da6-83e4-4ffa4976ad29
|i 176a08a4-8d7b-39e9-b2c8-6c718ef01c45
|t 0
|
| 952 |
f |
f |
|p noncirc
|a Texas A&M University
|b College Station
|c Cushing Memorial Library & Archives
|d Cushing: Women & Gender Studies (Does not check out)
|t 0
|e ML3853.C7 1952
|h Library of Congress classification
|i unmediated -- volume
|
| 998 |
f |
f |
|a ML3853.C7 1952
|t 0
|l Cushing: Women & Gender Studies (Does not check out)
|