http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Felix E. Schelling, by A.H. Quinn.-Bibliography of the writings of Felix E. Schelling from 1889 to 1923 (p. 12-17)-The romantic defence of poetry, by R.M. Alden.-The Chester plays and French influence, by A.C. Beugh.-The originality of William Wycherley, by G.B. Churchill.-The relation of Bacon's Essays to his program for the advancement of learning, by R.S. Crane.-The picaro in the Spanish drama of the sixteenth century, by J.P.W. Crawford.-Attic prose: Lipsius, Montaigne, Bacon, by M.W. Croll.-Centers of interest in drama, dramatic tension, and types of dramatic conflict, by A. Gaw.-The marginalia of S.T.C., by J.L. Haney.-Dickens, David Copperfield, and Thomas Holcroft, by P.C. Kitchen.-John Brinsley and his educational treatises, by G.W. McClelland.
Ballad notes taken in Bucks County, Pennsylvania, by J. C. Mendenhall.--The artist and his technique, by T. D. O'Bolger.--Dr. Furness's method in editing the New variorum, by D. E. Owen.--Thomas Campbell and Germany, by D. B. Shumway.--Money lending and money lenders in England during the 16th and 17th centuries, by A. B. Stonex.--The poetry of Vikotr Rydberg, by C. W. Stork.--Act four of The merchant of Venice on the stage, by C. Stratton.--The place of the Book of Luke in literature, by W. O. Sypherd.--The art of Joseph Conrad, by C. Weygandt.
From the Library of Harrison T. Meserole 2002.